Trevor Anderson
Trevor Anderson is a director, writer, and actor. His films include Docking (Sundance '19); The Little Deputy (Sundance '15, SXSW '15); The Man That Got Away (D.A.A.D. Short Film Prize, Berlinale '12, SXSW '12); The High Level Bridge (Sundance '11, SXSW '11); The Island (Berlinale '09, Best Short Film at Pink Apple Zurich '09), and Rock Pockets (Lindalee Tracey Award, Hot Docs '07).
Trevor Anderson
Trevor Anderson is an actor, known for The Other Two (2019).
Trevor Andre
Trevor Andre is known for The Natural (2016), Digital Fires and Sirona (2023).
Trevor Anthony
Trevor Anthony is known for Dodgeball Thunderdome (2020).
Trevor Aron
It looks like we don't have any Biography for Trevor Aron yet.
Trevor Ashley
Trevor Ashley is an actor and writer, known for Holding the Man (2015), Diamonds are for Trevor (2017) and RFDS (2021).
Trevor B. Nagle
A lifelong adventurer, Trevor's acting career began with a variety of dramatic and musical theatre credits as a teen and in college. He has since appeared in numerous feature and short films, voice-over, industrial, and commercial projects. Before his days as a full-time actor, he served as an Infantry Scout in the Army and a Russian linguist in the Navy, an organizational psychology coach and consultant, and as a college professor. An avid skydiver and backpacker, Trevor graduated from Deerfield Academy before attending Colorado College. A liberal arts graduate, he earned a Masters degree in Public Administration and a Doctorate in Psychology.
Trevor B. Winn
Trevor B. Winn is known for Dragon Hunter (2009).
Trevor Ballard
Trevor Ballard is an actor, known for Bigger Than the Game (2018).
Trevor Bardette
Wavy-haired, articulate, quietly-spoken Bardette was one of Hollywood's archetypal villains of westerns and cliffhanger serials. He initially aspired to become a mechanical engineer after graduating from Oregon State University in June 1925. However, by the late 1920s, he had changed his name from Terva Gaston Hubbard to Trevor Bardette and embarked on a brief, unremarkable acting career on the East Coast stage, before moving to Hollywood in 1937. Though he went on to essay the occasional sheriff, rustic, frontiersman or hero's sidekick, his stoney features and deep-set, cold eyes ensured that he would invariably be cast as a ruthless heavy, sneaky spy, swindler, gangster or double-crosser. In the course of a thirty year career, the majority of his characters rarely survived until the final scene. A hard-working character player, Bardette took on just about any role offered him. Between 1938 and 1940 alone, he appeared in some 33 films, including bits in prestige pictures like Jezebel (1938), Marie Antoinette (1938), Gone with the Wind (1939), Abe Lincoln in Illinois (1940) and The Grapes of Wrath (1940). At the smaller studios and later for television, he fared rather better in terms of screen time. Serials, especially, gave him the opportunity to chew the scenery at his most menacing: as the scar-faced Pegleg (aka Mitchell) of Overland with Kit Carson (1939), the icily controlled, preening killer Raven of Winners of the West (1940); and the deceptively meek Jensen, head of a Nazi spy ring, in The Secret Code (1942). On TV, he was Old Man Clanton, cattle rustler and perpetual nemesis of law and order in The Life and Legend of Wyatt Earp (1955) (though, in actual fact, N.H. Clanton never faced the Earps, having met his fate earlier at the hands of Mexican cowboys in Guadalupe Canyon). Then there were recurring roles in series like Lassie (1954), Cheyenne (1955) and Gunsmoke (1955), to name but a few. Perhaps not surprisingly, Bardette bought his own ranch in Green Valley, Arizona, where he spent his remaining years after retiring from acting in 1970. In interesting footnote is his authorship (under his original name) of a short story entitled "The Phantom Photoplay", published in the August 1927 issue of Weird Tales magazine. His first name Terva, evidently sounded sufficiently feminine to be included among the publication's list of lady writers.
