Percy Anane-Dwumfour is known for In the Dark (2019), American Gods (2017) and Heap.
Percy Bell was born in Epps, Louisiana the youngest of three boys. He spent most of his life playing sports, but always had a love for acting. He attended Nicholls State University, where he obtained a bachelors degree in Athletic Training. During this time he also worked as an Athletic Trainer for the New Orleans Saints. After obtaining his bachelors degree, he relocated to Nashville, Tennessee to pursue a master's degree. At that same time he began to seriously pursue acting and modeling. He began by enrolling in various acting classes and workshops, which soon led to him landing an agent. Percy has been in various commercials and print ads. He has recently completed three feature films, all of which are due to release in 2016. He was also nominated for Best Actor for his lead role in the short film Circumvent (2015).
Percy Chamburuka is an actor, known for Sing Street (2016), One Bite (2017) and Joy Crookes: Early (ft. Jafaris) (2019).
Percy Chumbe is known for The Green Inferno (2013), Mis Tres Marías (2016) and Rapto (2019).
Percy Daggs III was born on July 20, 1982. He is an actor and producer, known for Veronica Mars (2004), Veronica Mars (2014) and iZombie (2015).
Percy Daggs IV is an actor and writer, known for Solos (2021), The Last Days of Ptolemy Grey (2022) and Undone (2019).
Percy Gray is known for Gotta Serve Somebody: The Gospel Songs of Bob Dylan (2006).
Percy Harris is an actor, known for The Handmaid's Tale (2017), Self Made: Inspired by the Life of Madam C.J. Walker (2020) and Designated Survivor (2016).
One of the most familiar faces and voices in Hollywood films of the 1950s. Percy Helton acted almost from infancy, appearing in his father's vaudeville act. The famed Broadway producer David Belasco cast Helton in a succession of child roles over several years, giving the boy an invaluable grounding in the technique and spirit of the theatre. George M. Cohan took Helton under his wing and used him in a number of plays. Helton served in the United States Army in Europe during World War I in the American Expeditionary Forces, with the 305th Field Artillery, and at war's end returned to acting on the stage, carving out a substantial career as a juvenile in plays such as "One Sunday Afternoon" and "Young America". In one of these plays he was required to shout and scream for much of the performance, and by the end of the run his voice had become permanently hoarse. He moved by necessity into character roles, working primarily on the stage until the late 1940s. Despite some early work as a juvenile in silent films, it was not until his brief but memorable appearance as a drunken Santa Claus in Miracle on 34th Street (1947) that he began to shift primarily into film work. His diminutive physique and unmistakable voice made him a fixture in a wide range of films and TV programs throughout the next two decades.
The massive brooding face and nose of British actor Percy Herbert is familiar to movie goers and TV audiences alike. A seemingly unlikely stage discovery by no one less than the great Dame Sybil Thorndike of British theater, Herbert moved into movie roles by the early 1950s. Initially fitting in as a featured cockney character, he nevertheless moved on to a wide variety of roles, especially as British and American soldier characters, some notable early ones being in The Bridge on the River Kwai (1957) and The Guns of Navarone (1961). An interesting coincidence was that his character name was Grogan in both movies - though he was promoted from a private in the first movie to a sergeant in the second. He always seemed at home, lending a believable accent and memorable presence to such as: the menacing baron who joins in the killing of Archbishop Thomas Becket, Richard Burton, in Becket (1964), the hapless Confederate soldier-with a broad southern accent of Mysterious Island (1961), the sensible Scots-American deputy Mac Gregor in TV's short-lived Cimarron Strip (1968) with Stuart Whitman. In the course of over 90 film appearances, Herbert fitted in and lent to genres from fantasy and horror to history and drama with a sort of sturdy and matter-of-fact competence which makes him a most memorable big and small screen presence.