Michèle Kaye
Michèle Kaye was born in Regina, Saskatchewan, Canada. She is an actress and director, known for He and Me (2017), Here's Ginger! (2018) and The Elusive Purpurea Vulpavis (2021).
Michèle Laroque
Michèle Laroque was born on June 15, 1960 in Nice, Alpes-Maritimes, France. She is an actress and writer, known for Ma vie en rose (1997), Brillantissime (2018) and Le placard (2001).
Michèle Lituac
Michèle Lituac was born on August 17, 1957 in Aix-en-Provence, France. She is an actress, known for Mommy (2014), Princess Sissi (1997) and La raison d'état (1978). She has been married to Marc Bacon since 1991. They have two children.
Michèle Lonsdale Smith
Michèle Lonsdale Smith is an actress and producer, known for Race (2016), Bradley Borgen ~ The Actor Who Could Not Cry (2019) and PSI Factor: Chronicles of the Paranormal (1996).
Michèle Mercier
For Michèle Mercier, the role of Angélique, "the Marquise of the Angels", was both a blessing and a curse. It catapulted her to almost instant stardom, rivalling Brigitte Bardot in her celebrity and popularity, but ruined her acting career. The character of Angélique made to forget the other aspects of the career of Mercier, but it is true that general public discovered her only in "Angélique", and made her a real star of the French cinema of that time. By the end of the 1960s, the names Angélique and Michèle Mercier were synonymous, and to escape type-casting, Mercier was compelled to leave France and try to re-start her career in United States, unfortunately without any success. Daughter of Nice's pharmacists, born on January 1st, 1939 and named as Jocelyne Yvonne Renée, she initially wanted to be a dancer. Wartime, no money to buy food, but little Jocelyne wept all week, cadging father, wellknown pharmacist in Nice, to buy her balletskirts and points. In return she promised to work in drug-store. Father took this only as childish whim. But little girl got her wish through: of "small ballet-rat", as they call little dancers, who participate in stageshows, she grew up to soloist in Opera of Nice. Then came Paris. First she was engaged to the troupe of Roland Petit, then she danced in the company of the "Ballets of the Eiffel tower". At 15, she met Maurice Chevalier, who predicted her success and glory. They did arrive, but by another way that the dance. Parallel to her career as dancer, Jocelyne followed courses of dramatic art in the class of Solange Sicard. Her début in French cinema was for Mercier another compromise: her birthname seemed too long and too old-fashioned for movie credits. What, if she'll take a name Michèle? She winced - this was name of her little sister, who died at the age of five by the fever typhoide, but she agreed. And it was also as in testimony of admiration for her partner Michèle Morgan, as she borrowed her name to her. After some romantic comedies and a small role in François Truffaut's "Shoot the pianist" (1960; her favorite role), she approaches the Sixties mainly in the cinema of district. She also worked in England and made then mainly small-budget films in Italy, always in the same register of easy girl. To this moment Michèle already competed with Sophia Loren and Gina Lollobrigida, continuously shooting in Italy. She needed a role, which could make her a star. Only in 1963, when was decided to make movie by sensational novel "Angélique", Michèle got this kind of chance. Many actresses were approached to play the role of Angélique. The Producer Francis Cosne absolutely wanted Brigitte Bardot for the part. She refused, but later judged Michèle Mercier to be fantastic in it. Annette Stroyberg was considered next, but judged not to be sufficiently well-known. Catherine Deneuve was too pale, Jane Fonda spoke French with an American accent, and Virna Lisi was busy in Hollywood. The most serious actress considered was Marina Vlady. She almost sign a contract, but Michèle Mercier won the role after trying out for it - which she did not appreciate very much since she was being treated like a beginner while she was already a big star in Italy. At the time she was contacted to play Angélique, she had already acted in over twenty movies. During four years she made five Angélique-movies, enjoying the real success. Nevertheless the moment came, when she finally wanted to interrupt with this aggravating character. Michèle played with Jean Gabin in "The Thunder of God" of Denys de la Patellière. Then with Robert Hossein in "La seconde vérité" of Christian-Jaque... But the time has gone. That was also confirmed by Mercier's flop in Hollywood... What life didn't taught her, that's the skill how to dominate men. Every time Michèle captivated regardlessly. She was deceived, betrayed. She suffered. "Men in their way, shattered my life. What I wanted from them? Real, mutual love. What they wanted - no hard to guess," candidly confessed Michèle after sensational story with a shah, who overwhelmed actress with diamonds and bouquets of flowers, and then tryed to rape her. Press enjoyed Michèle's love affairs and divorces. For some reason or other, in real life this beautiful and kind woman met only rascals, without exception. First husband turned out to be alcoholic. With well known racer Claude Bourillot she lived together 12 years. And she was shocked, when in one day she found out that he vanished with her jewels. Full of dramatism was story of her romance with Italian prince N., who after many years of courtship got intimate with Michèle and at the end betrayed her, refusing to marry her. Incidentally, all these failures even more hardened the character of Michèle Mercier. After a very long eclipse, she decided to return to the cinema. In 1998, the actress made in Cuba and in Italy "La Rumbera", a feature film by Italian director Piero Vivarelli. In 1999, swindled of several million francs in a business venture, Mercier had serious financial problems. She even planned to sell famous wedding gown of the Marquise of the Angels. The actress confessed in Nice Matin: "I am ruined, I'll be obliged to sell part of my paintings, my furnitures, my properties, my jewels and the costumes of Angélique". In 2002, she presented at the Cannes Film Festival her second book of memories in which she affirms in the cover that "she's not Angélique!", entrusting her irritation to be summarized to this glamour-image of the Sixties. In this book Mercier also tells about how Italian actor Vittorio Gassman tried to take her by force, but remembers also the gentility of Marcello Mastroianni and the suppers of Bettino Craxi, former Prime Minister, and Silvio Berlusconi. In the end she admits: "All the men who have made the court of me, tried to seduce Angélique... not me. But then one day I understood that Angelique could not make more harm to me, therefore I have learned to consider she's like a little sister, with whom I had to live hand in hand".
Michèle Moretti
Michèle Moretti was born on March 15, 1940 in Paris, France. She is an actress, known for Les roseaux sauvages (1994), Out 1: Spectre (1972) and Out 1, noli me tangere (1971).
Michèle Morgan
A classic beauty, blonde French actress Michèle Morgan was one of her country's most popular leading ladies for over five decades. Born Simone Renee Roussel on Leap Year Day (February 29) in 1920, she ran away from home as a teenager and studied acting under René Simon, beginning her film career at 16 working as a film extra to pay for drama classes. The young actress soon caught the eye of director Marc Allégret, who cast her in Gribouille (1937), which clinched her stardom. Her remote, enigmatic features and gloomy allure had audiences comparing her to a young Greta Garbo. She went on to appear elegantly opposite Charles Boyer in the drama Orage (1938) directed by Allegret; opposite Jean Gabin in Moth and the Flame (1938) directed by Marcel Carné, as well as both Le récif de corail (1939) and Remorques (1941). She had her first top-billed roles in L'entraîneuse (1939) and La loi du nord (1939). Michèle's eventual fled war-torn France for Hollywood and earned roles based purely on her European prestige. She did not stand out among the other female foreign imports of that time, however, such as Ingrid Bergman. Cast in rather routine sultry roles amid WWII surroundings, she received only a modest reception for such US-based films as Joan of Paris (1942) with Paul Henreid; Two Tickets to London (1943) with Alan Curtis; Passage to Marseille (1944) opposite Humphrey Bogart; and the noirish The Chase (1946) starring Robert Cummings. Michèle succeeded much better at home continuing prolifically in such films as Les orgueilleux (1953), La minute de vérité (1952), Oasis (1955), Les grandes manoeuvres (1955), Marie-Antoinette reine de France (1956) (as Marie Antoinette), Menschen im Hotel (1959), Landru (1963), Constance aux enfers (1964), Benjamin ou Les mémoires d'un puceau (1968) and Le chat et la souris (1975). Back in the late 1940's, she received the very first Cannes Film Festival award for "best actress" for her touching performance as the blind heroine in La symphonie pastorale (1946). She also received an honorary Cesar Award in 1992. Married during the war and early post-war years (1942-1949) to American actor/singer William Marshall, Michèle's second husband was handsome Gallic star Henri Vidal and they appeared together in a couple of films, including both the historical drama Fabiola (1949) and romantic drama La belle que voilà (1950), plus Les sept péchés capitaux (1952) (albeit different "sin" segments) and Napoléon (1955). Following Vidal's sudden death of a heart at age 40 in 1959, the actress married a third time one year later to well-known French actor/writer/director Gérard Oury. They had unbilled cameos in Un homme et une femme, 20 ans déjà (1986). She was left a widow in 2006. Semi-retired by the 1970's, Michèle's last feature film was a small bit in the Marcello Mastroianni film Stanno tutti bene (1990). She retired in 1999 after a few sporadic 90's TV parts. She died in her home town of Hauts-de-Seine, France on December 20, 2016, at age 96.
Michèle Mouton
Michèle Mouton is known for Heroes (2020), Madness on Wheels: Rallying's Craziest Years (2012) and Une pilote (2021).
Michèle Ohayon
Michele Ohayon is an award winning director, writer and producer. Born in Casablanca and raised in Israel, Michele graduated from Tel Aviv University (Film & Television), after serving in the army. Her critically acclaimed feature documentaries include: It was a Wonderful Life (1987, narrated by Jodie Foster) (PBS), Colors Straight Up (1997) (Nominated for an Academy Award, Directors Guild of America, Spirit awards and won 13 National awards), Cowboy del Amor (2005) (winner SXSW both jury and audience award), Steal a Pencil for Me, (2007), produced with Netflix. Winner Jerusalem Film Festival, S.OS./State of Security (2010) (Berlin film festival) and Solar Roadways, (Tribeca film festival). In 1984, she received the Israeli Best Film Award for 'Pressure', one of the first dramatic films on the Israeli-Palestinian conflict. In 1987, she moved to Los Angeles, where she went on to direct many acclaimed documentary features. In 2013 Ohayon made the Academy of Motion Pictures tribute film for Angelina Jolie, narrated by Morgan Freeman, and for Jolie's Governor's academy award for her humanitarian work, and in 2014 tribute film for Jean Claude Carriere, Academy Award, narrated by Jeremy Irons, with Irons, Richard Gere, Natalie Porman, Juliet Binoche and Isabelle Huppert. Michele has also moderated the first TV summit for the Berlin Film Festival 2014, followed by "Hollywood Inside and Out" at the Sarajevo film festival 2014, and served on juries of various festivals, including Berlin and Sarajevo. Michele is the CEO and Co-Founded the Kavana Entertainment based in Los Angeles with a mission to bridge between Hollywood and Europe, and offer seminars, lectures and consulting for filmmakers around the world. Michele is also a fiction film writer with numerous screenplays developed by major studios such as MGM, Focus Films and Starz cable. She has been a guest speaker/lecturer at various schools and colleges, including UCLA, AFI, USC, UVA, Georgetown, Wesleyan, Stanford, Chapman, Kenyon and more. For her body of work, Michele received the 1996 and the 1998 Artist's Grant from the Los Angeles Cultural Affairs Department and was recognized for her fiction writing in the Chesterfield Writing Competition 2000. Michele is one of the founders of Cinewomen. She is a member of the Academy of Motion Pictures where she serves on the International committee, foreign film committee and the educational/grants committee. She is also a member of the WGA, PGA and IDA.
Michèle Raingeval
Michèle Raingeval is an actress, known for The Theory of Love (2013), Jibeuro ganeun gil (2013) and Le ballon de rouge (2014).
