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Michael Wilts is an actor, known for 400 to Oahu (2017), The Shadow (2017) and Bloody Eyes.
Widely respected among peers for his fearless commitment, Michael Anthony Claudio Wincott was born to an English father and Italian mother in Scarborough, a working class suburb of Toronto. His career began fortuitously in 1976 at the CBC, cast by Deidre Bowen, Clare Walker and director Mike Newell as the troubled protagonist, Cole Buckley, opposite Kate Reid in writer Rochelle Kosar's Earthbound. He continued his novitiate in the city's leading contemporary theaters, working with Ken Gass at Factory Theatre Lab, Bill Glassco at The Tarragon Theatre and William Lane at Toronto Free Theatre. Supported by grants from The Ontario Arts Council and The Canada Council of The Arts, he moved to New York City to study on a full scholarship at The Juilliard School where he performed, among other roles, Teddy in Mark Medoff's When You Comin' Back Red Ryder?, Flute in Shakespeare's A Midsummer Night's Dream, Soranzo in John Ford's T'is Pity She's A Whore and Tilden in the school's much-lauded first production of a Sam Shepard play, Buried Child. In the spring following graduation, he began a rewarding relationship with Joseph Papp's Public Theater both on and off Broadway with his creation of the role of Kent in Eric Bogosian's Talk Radio. He last appeared onstage in New York opposite John Malkovich, originating the role of Stubbs in Shepard's States of Shock. He has worked with some of cinema's most gifted reprobates, including Anthony Hopkins, Gary Oldman, Julian Schnabel, Gerard Depardieu, Jim Jarmusch, Ridley Scott, Richard Burton, Robert Mitchum, Dennis Hopper, Michael Cimino, Robert De Niro, Sean Penn, John Hurt, Javier Bardem, Benicio Del Toro, Terrence Malick and Oliver Stone. Among those he hasn't, he has expressed a wish to work with the great French actress, Isabelle Huppert. "The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion" Albert Camus
Winner was an only child, born in Hampstead, London, England, to Helen (née Zlota) and George Joseph Winner (1910-1975), a company director. His family was Jewish; his mother was Polish and his father of Russian extraction. Following his father's death, Winner's mother gambled recklessly and sold art and furniture worth around £10m at the time, bequeathed to her not only for her life but to Michael thereafter. She died aged 78 in 1984. He was educated at St Christopher School, Letchworth, and Downing College, Cambridge, where he read law and economics. He also edited the university's student newspaper, Varsity (he was the youngest ever editor up to that time, both in age and in terms of his university career, being only in the second term of his second year). Winner had earlier written a newspaper column, 'Michael Winner's Showbiz Gossip,' in the Kensington Post from the age of 14. The first issue of Showgirl Glamour Revue in 1955 has him writing another film and showbusiness gossip column, "Winner's World". Such jobs allowed him to meet and interview several leading film personalities, including James Stewart and Marlene Dietrich. He also wrote for the New Musical Express. He began his screen career as an assistant director of BBC television programmes, cinema shorts, and full-length "B" productions, occasionally writing screenplays. In 1957 he directed his first travelogue, This is Belgium, shot largely on location in East Grinstead. His first on-screen credit was earned as a writer for the crime film Man with a Gun (1958) directed by Montgomery Tully. Winner's first credit on a cinema short was Associate Producer on the film Floating Fortress (1959) produced by Harold Baim. Winner's first project as a lead director involved another story he wrote, Shoot to Kill (1960). He would regularly edit his own movies, using the pseudonym "Arnold Crust". He graduated to first features with Play It Cool (1962), a pop musical starring Billy Fury. Winner's first significant film was West 11 (1963), a sympathetic study of rootless drifters in the then seedy Notting Hill area of London. Filmed on location (always Winner's preference), with a script by Willis Hall and Keith Waterhouse, the film remains an interesting contribution to the working-class realism wave of the early 1960s. Following differences with his producer, Daniel Angel, Winner (who had wanted to cast Julie Christie in the main female role) resolved to produce as well as direct his films and set up his own company, Scimitar. The System (1964) and the hectic, dystopian I'll Never Forget What's'isname (1967) were paired pieces starring Oliver Reed that continued Winner's exploration of alienated youth adrift in a rising tide of affluence, dreaming of an alternative life they can never achieve. These films and the exuberant 'Swinging London' comedy The Jokers (1967), also starring Reed, were well-suited to Winner's restless, intrusive camera style and staccato editing. They were followed by Hannibal Brooks (1969), a witty Second World War comedy written by Dick Clement and Ian La Frenais, which attracted attention in America and led to Winner pursuing a Hollywood career in the 1970s. Winner now developed a new reputation as an efficient maker of violent action thrillers, often starring Charles Bronson. The most successful and controversial was Death Wish (1974), with Bronson cast as a liberal architect who embraces vengeance after the murder of his wife and daughter. An intelligent analysis of the deep roots of vigilantism in American society, Death Wish is restrained in its depiction of violence. With his obsessive need to work, Winner accepted many inferior projects, including two weak Death Wish sequels, though occasionally he tried to make more prestigious films, notably The Nightcomers (1971), a prequel to Henry James' The Turn of the Screw, made in Britain with Marlon Brando; and A Chorus of Disapproval (1989), a satisfying version of Alan Ayckbourn's bittersweet comedy. By the 1990s Winner had become less prolific, and reaped no benefit from the Lottery-prompted rise in genre film-making, which favoured the young and inexperienced. Dirty Weekend (1993), a rape-revenge movie with a female vigilante, aroused considerable controversy, but hardly enhanced Winner's reputation; Parting Shots (1998), a comedy revenge thriller suffused with allusions to Death Wish and restaurant scenes invoking Winner's current incarnation as a food critic, is perhaps his swan song. In an interview with The Times newspaper, Winner said liver specialists had told him in summer 2012 that he had between 18 months and two years to live. He said he had researched assisted suicide offered at the Dignitas clinic in Switzerland, but found the bureaucracy of the process off-putting. Winner died at his home, Woodland House in Holland Park, on 21 January 2013, aged 77. Winner was buried following a traditional Jewish funeral at Willesden Jewish Cemetery.
Michael Winnick is known for Dark Asset (2023), Malicious (2018) and Guns, Girls and Gambling (2012).
Michael Winslow was born on September 6, 1958 in Spokane, Washington, USA. He is an actor and writer, known for Police Academy 4: Citizens on Patrol (1987), Spaceballs (1987) and Police Academy (1984). He was previously married to Sharon Larrieu, Angela Baytops and Belinda Church.
Michael took an English degree at Oxford then trained in film at Bristol and London breaking into television via the cutting room at Thames Television. He made his directorial debut with two documentaries on Ingmar Bergman His production of Love Lies Bleeding won the Silver Award at the 1993 New York Television Festival and the 4 part serial 'Family' has collected numerous awards at film and television festivals around the world. He also directed the opening story in the first series of the multi award winning Cracker
Michael Winters is an actor, known for Gilmore Girls (2000), Deep Impact (1998) and The Hit List (1993).
Michael Winther is known for Jumper (2008), Meet Dave (2008) and Independence Day (1996).
Michael Wiseman is likely best known for playing Mafia boss "Johnny Rizzo" on the TV Series Vegas (2012). Born on April 12, 1967, he grew up in Lafayette, California, where his mother taught at their local elementary school for 35 years and his grandfather owned a local restaurant. From an early age, he knew he wanted to be an actor - even listing it as his stated goal in his Jr. high school yearbook. Days after graduating high school, Michael moved south-determined to achieve his dream. He began a rigorous intro to the arts in college-where he studied dance (Ballet and Jazz), singing, stage design, lighting, and acting. He then went on to attend Robert F Lyons Acting Academy in Los Angeles with focuses on Scene Study, Cold Reading, and extensive Improvisation. He began performing at several Los Angeles theaters while continuing to study under Robert F, including taking his Masterclass for 5 years. A first job in Los Angeles working for Joel Silver at Silver Pictures on the Warner Bros lot led to many connections and insights about the business while picking up or delivering scripts to studios such as Fox, Disney, Sony, and Paramount. Out of that, he met director Stephen Hopkins who changed his course by getting him a line in the movie Predator 2 (1990)-earning him his SAG card and sending him on his way. From there, his acting career began to take shape. A first TV role on Cheers (1982) was followed by a part in Judgment Night (1993), along with guest roles in Melrose Place (1992), Renegade, and Walker, Texas Ranger (1993). His first big break came when he was cast for a 3-episode arc in NYPD Blue (1993), playing Tommy Richardson. He landed a stream of guest star and recurring roles in other popular shows including Diagnosis Murder (1993), Nash Bridges, The Pretender (1996), JAG (1995), Star Trek: Voyager (1995), The X Files (1993), Judging Amy (1999), CSI: Miami (2002), Cold Case (2003), The Closer (2005),Nip/Tuck (2003), Prison Break (2005), The Mentalist (2008), and Lie to Me (2009), along with supporting roles in the feature films Rancid (2004) and The Wicker Man (2006). After a brief lull which left him questioning whether it was time to move on, Wiseman landed the role of the suave but hotheaded Chicago mobster Johnny Rizzo, a character who spanned 10 episodes, on Vegas (2012). Since Vegas (2012), he has continued to act in such shows as NCIS: Naval Criminal Investigative Service (2003) and Scorpion (2014), and in such feature films as Running Wild (2017), Pray for Rain (2017), and In Search of Fellini (2017). He enjoys skiing, golf, spending time with his family, and doing as much yoga as time permits. He has been married to actress and Emmy-nominated makeup artist Caroline Keenan-Wiseman since 2001. They have two children.