George Fraser is known for Hidden Colors 3: The Rules of Racism (2014) and Baisden After Dark (2007).
George Fredericks is an actor, known for Blue Ruin (2013).
George Funderburg is known for Death Club, Bermuda Island (2023) and Rogue Angel.
George Furth wrote eleven one-act plays planned for Kim Stanley as each of the separate leads. Hollywood actor Anthony Perkins, interested in directing, asked Sondheim to read the material. After Sondheim read the plays, Sondheim asked Harold Prince for his opinion; Prince thought the plays could form the basis for a musical. The theme would be New York marriages with a central character to examine those marriages. Originally titled "Threes", its plot revolves around Bobby, a single man unable to commit fully to a steady relationship, let alone marriage, four married couples, and one single couple, who are his best friends, and also includes Bobby's three free-wheeling girl friends. Unlike most book musicals, which follow a clearly delineated plot, "Company" is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. "Company" was among the first musicals to deal with adult themes and relationships. As Sondheim puts it, "Broadway theater has been for many years supported by upper-middle-class people with upper-middle-class problems. These people really want to escape that world when they go to the theatre, and then here we are with 'Company' talking about how we're going to bring it right back in their faces." "Company" opened in Boston in out-of-town tryouts, receiving mixed reviews, from the Boston Evening Globe "Brilliant", to Variety Magazine "The songs are for the most part undistinguished" and "As it stands now it's for ladies' matinees, homos and misogynists." The book was by Furth; Lyrics and music was by Stephen Sondheim; direction was by Prince. "Company" opened on April 26, 1970, at the Alvin Theatre in New York City, where it ran for 705 performances after seven previews. Musical staging was by Michael Bennett, assisted by Bob Avian. The set design by Boris Aronson consisted of two working elevators and various vertical platforms that emphasized the musical's theme of isolation. "Company" was honored with the following theatre awards: the 1971 New York Drama Desk Award for (1) Outstanding Book of a Musical awarded to Furth; (2) Outstanding Director of a Musical awarded to Harold Prince; (3) Outstanding Lyrics and (4) Outstanding Music awarded to Stephen Sondheim; (5) Outstanding Set Design was awarded to Boris Aronson. The New York Theatre World Award was awarded to actor Susan Browning. In an unusual move, the Tony Awards committee deemed Larry Kert eligible for a nomination, an honor usually reserved for the actor (Dean Jones, in this case) who technically originates a role. The musical was nominated for a record setting 14 Tony Award Nominations and won six. "Company" won the (1) Tony Award for Best Musical; (2) Tony Award Best Score (music) and (3) Tony Award Best Lyrics by Stephen Sondheim; (4) Tony Award Best Book of a Musical by George Furth; (5) Tony Award Best Direction for a Musical by Harold Prince; (6) Tony Award Best Scenic Design by Boris Aronson; Nominated for Tony Award Best Performance by a Leading Actor in a Musical (7) Larry Kert; Nominated for Tony Award Best Performance by a Leading Actress in a Musical (8) Elaine Stritch and (9) Susan Browning; Nominated for Tony Award Best Performance by a Featured Actor in a Musical (10) Charles Kimbrough; Nominated for Tony Award Best Performance by a Featured Actress in a Musical (11) Barbara Barrie and (12) Pamela Myers; Nominated for Tony Award Best Choreography (13) Michael Bennett; Nominated for Tony Award Best Lighting Design (14) Robert Ornbo. (In the early 1990s, Furth and Sondheim revised the libretto, cutting and altering dialogue that had become dated and rewriting the end to act one.)
George Galati is an actor, known for Playback (1994), Dinner: Impossible (2007) and Restaurant: Impossible (2011).
George Gallo moved from Mamaroneck, New York and relocated in Los Angeles in 1982. After 4 years, he got the film "Wise Guys" produced with Danny Devito and Joe Piscopo. The classic buddy/cops and robbers picture "Midnight Run" came next with Robert De Niro and Charles Grodin. Then in 1990, he wrote and directed "29th Street" which Danny Aiello and Anthony LaPaglia. It got critical raves. Other credits include 1995's, "Bad Boys" starring Will Smith and Martin Lawrence. Gallo will soon direct the film "Friend Again."
George Gao is known for Unseen Enemy (2017).
George Garcia is known for Night of the Bastard (2022).
While he was a Freshman at Carnegie Mellon University in Pittsburgh, Pennsylvania, George Gee launched his Make-Believe Ballroom program (named after the vintage Martin Block show) on the college radio station - and told everyone who'd listen about his dream of leading his own big band. In an era when punk, new wave and heavy metal ruled, some first thought that George was revisiting the past. Twenty years later, it is delightfully clear that George was just way ahead of his time! The only Chinese-American Swing big band leader, George Gee is unique in so many ways. The snap in his fingers, the shuffle in his step and that unbridled joy he radiates and spreads like ecstatic wildfire to all his world-class musicians make immediate and permanent impressions on audiences, dancers - even seasoned press! It must be in his blood - since he was a kid, all George ever wanted to do was lead his own big band. A native New Yorker, George always loved music. He grew up with rock'n'roll and R&B - but also developed a powerful passion for Swing - especially for the big band styles of Count Basie, Duke Ellington, Lionel Hampton, Glenn Miller, Tommy Dorsey, Benny Goodman, Louis Jordan, Frank Sinatra, Cab Calloway and other legends. At renowned Stuyvesant High School, George wowed the crowds (especially the girls!) with his flashy bass showmanship in the school's jazz band. His college radio show was a huge hit! The station asked George to interview his idol - William "Count" Basie - before a campus concert. That extensive, exclusive conversation would change George's life forever. Days later, he assembled his own 17-piece big band - the Make-Believe Ballroom Orchestra! Staffed by student players, the band quickly became the darling of the campus community. Throughout the 1980's, George spread his swing gospel throughout the Pittsburgh tri-state region - from rowdy frat houses to black-tie society galas, corporate events and top nightclubs. But George knew what he needed to do next. He returned home to New York City in 1989, and summoned top New York-based musicians - young and older veterans of the world's most legendary big bands - and Latin and pop giants - to continue living his dream. With each performance, George's powerhouse 17-piece Make-Believe Ballroom Orchestra continues to set new standards - elegantly balancing the genuine big band tradition with exhilarating modernism. His 10-piece Jump, Jive & Wailers, formed in 1998, puts a new twist on big band favorites and delivers all-out rollickin' roadhouse boogie! George also revels in his stature as a veritable Ambassador of Swing. George is a much sough-after authority on the evolution of the art. He has lectured at the New School University, led clinics and master classes - and is a popular source for newspaper, magazine, TV and Internet reports. George also served as a primary expert for the 2000 nationally broadcast BRAVO documentary "This Joint is Jumpin'', featuring extensive interviews throughout the two-hour film. Like his beloved Pinky and the Brain cartoon, George readily declares that his goal is "world domination"! Why? "When people are swingin', they're happy. It's as simple as that."