Carla Brandberg
Carla Brandberg is a New York City based actress. Trained in the theatre, she began working in television in an episode of Queens Supreme in 2003 opposite Oliver Platt. She has continued to work in Theatre, Film and Television and has appeared in Archive 81 (2022), Mindhunter (2017), Manifest (2020), The Marvelous Mrs. Maisel (2018), For Life (2020) among other film and TV projects.
Carla Braun-Elwert
Carla Braun-Elwert is known for Die Wiese (2019), Das grüne Wunder - Unser Wald (2012) and New Zealand: Earth's Mythical Islands (2016).
Carla Briscoe
Carla Briscoe is a director and writer, known for A Little Help (2010), Blue Caprice (2013) and UCB Comedy Originals (2007).
Carla Bruni
Carla Bruni was born on December 23, 1967 in Turin, Piedmont, Italy. She is known for Midnight in Paris (2011), (500) Days of Summer (2009) and The Lake House (2006). She has been married to Nicolas Sarkozy since February 2, 2008. They have one child.
Carla Böhler
Carla Böhler is a Brazilian Director and Immersive Artist. She began her carrier in the movies industry in 1998 and later moved to the Immersive Arts. She lived in Berlin, when she also directed documentaries for Youth For Europe. After spending some time doing research in immersive storytelling, Carla returned to Brazil and built a solid carrier in drama. She current work as a Director on TV Globo, the largest channel in Latin America, directing successful TV Series along other acclaimed Directors and develops projects in Virtual Reality, mainly Cinematic VR.
Carla Calò
Carla Calò was born on September 21, 1926 in Palermo, Sicily, Italy. She is known for Giulio Cesare, il conquistatore delle Gallie (1962), Le calde notti di Poppea (1969) and La vendetta di Ercole (1960). She died on December 29, 2019 in Forano, Lazio, Italy.
Carla Campbell
Carla Campbell is known for Love Fraud (2020).
Carla Campra
Carla Campra was born on April 16, 1999 in Barcelona, Catalonia, Spain. She is an actress, known for Todos lo saben (2018), Verónica (2017) and El secreto de Puente Viejo (2011).
Carla Camurati
Carla Camurati was born on 14 October 1960 and worked as a biology teacher before she became an actress. Her first film was "O Olho Mágico do Amor" (1981). For this work she got a prize of Best Supporting Actress. She then begun a successful career on television working in soap operas like "Sol de Verão" (1982), "Livre para Voar" (1984) and "Fera Radical" (1988). In 1983 she took photos for Playboy. In 1985 she got a Gramado Prize for her role in "A Estrela Nua". In 1987 she won the Kikito prize for her role in "Eternamente Pagu". In this year she also directed her first film, but her first success as a director was "Carlota Joaquina" (1995). In 2001 Carla directed "Copapcabana", starred by Marco Nanini. According to a recent interview, Carla and Nanini had long conversation and so Carla got interested in "Irma Vap - O retorno", a play Nanini stars with long time friend Ney Latorraca. Carla then decided to adapt the play for the cinema.
Carla Carolina Pimentel
Carla Pimentel attended University of Miami in Florida, where she obtained her Bachelor's of Science in Communications. In Czech Republic she completed her Master's Degree of Directing Motion Pictures, while she worked internationally in several collaborative projects, as well as many of her own, where she has had a repertoire of roles. To name a few on IMDB, there is 'Dear Anna' (2012) and 'The End' (2012). She has worked as a Supporting Actress in Skybound (2013), a feature film shot in Cologne, Germany. A few of her own directoral works include a short feature 'Subtle Control,' 'Emma,' and 'Autumn.' She worked in Sobe Brooke Studios, in affiliation with Radar Pictures, Carla worked with the production team as Production Coordinator, Second AC, and Editor on different projects, she also helps in the development of projects by reading scripts, researching, and helping prepare proposals for investors, and working with the team on preparing shoots. Carla worked as the Unit Production Manager of the documentary film 'Indie to the Masses.'
